Challenging both physically and emotionally. The cast is...
Aleks Sierz (Arts Desk, The Stage)
Vital, vibrant and extraordinarily moving... An astonishingly...
Fergus Morgan (The Stage, What's On Stage)
Cicero... beautifully acted by McCabe in a career-defining...
Michael Billington (The Guardian)
Ambitious, intricate and compelling... Maintains a hold on its...
Natasha Tripney (The Stage, Time Out)
Daringly deconstructive... Bennett's production realises the...
Squirm-inducing, prodding at our anxieties over representation...
Holly Williams (What's On Stage, Time Out, Independent)
Moving and often euphoric verbatim piece... Emotional wallop.
A self-flagellating folly that fails to cast much light on men...
Dominic Maxwell (The Times)
“Full of spirit.”
“A pretty tight, well-written piece... I feel like it could be fleshed out a little more.”
“A work of considerable skill and admirable fire... Hard to find any exigent rhetoric in Dunne’s slightly hesitant production.”
“Often very funny, with spoutings of corporate jargon and fine bursts of ill-tempered distrustfulness.”
The Gronholm Method
“Unexciting production of a play about a ruthless job application process.”
“I found myself admiring the skill with which the cast communicate the fractious atmosphere of mounting mutual mistrust.”
“Even though Galceran springs plenty of narrative surprises, his play rarely shocks us into new awareness.”
“None of these characters are particularly likeable... credit to the cast. Cake in particular gives Frank a rancid quality.”
“Slick comedy of corporate manners... Its basic premise is inspired and the execution is deft enough to keep you gripped... Fun.”
“Mixes adept satire of twenty-first-century corporate horrors with the twisty turny energy of classic potboiler thrillers.”
The Moderate Soprano
The Gronholm Method
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Stagescan was started by a former theatre critic and participating Broadway producer who moved to London in 2007 and wanted to find the city’s best shows. This site is the result.
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Harry Potter Reviews