Ruthlessly cut, modish, tricky and eccentric... At times,...
Sarah Crompton (What's On Stage, Guardian)
An engaging staging that will appeal to horror film fans.
Natasha Tripney (The Stage, Time Out)
“Full of spirit.”
“A pretty tight, well-written piece... I feel like it could be fleshed out a little more.”
“A work of considerable skill and admirable fire... Hard to find any exigent rhetoric in Dunne’s slightly hesitant production.”
“Often very funny, with spoutings of corporate jargon and fine bursts of ill-tempered distrustfulness.”
The Gronholm Method
“Unexciting production of a play about a ruthless job application process.”
“I found myself admiring the skill with which the cast communicate the fractious atmosphere of mounting mutual mistrust.”
“Even though Galceran springs plenty of narrative surprises, his play rarely shocks us into new awareness.”
“None of these characters are particularly likeable... credit to the cast. Cake in particular gives Frank a rancid quality.”
“Slick comedy of corporate manners... Its basic premise is inspired and the execution is deft enough to keep you gripped... Fun.”
“Mixes adept satire of twenty-first-century corporate horrors with the twisty turny energy of classic potboiler thrillers.”
The Phantom Of The Opera
Bat Out Of Hell
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Stagescan was started by a former theatre critic and participating Broadway producer who moved to London in 2007 and wanted to find the city’s best shows. This site is the result.
The site is no longer being updated, but you are most welcome to browse!
Harry Potter Reviews